Cd Review: Ironwood :Fire:Water:Ash:

Ironwood

:Fire:Water:Ash:
Unsigned
2009

Ironwood's debut album, :Fire:Water:Ash:, is most likely one of 2009s best unsigned releases by far. These four awesome musicians from Sydney have yet again outdone themselves with this release. Since hearing their debut EP I have been waiting anxiously for this album to come into the light, and I must say, it's certainly refreshing to hear something so different to everything else that I hear these days.

:Fire:Water:Ash: is THE album to get if you're into metal with a twist like this. The music drifts through heavy and softer sections flawlessly, often flicking between both in one song. It caters to just about every musical need you may have. Some of the vocals on this album are very different from what I'm used to hearing from other bands, particularly the low sung ones. The Raven Song, and Tide Of Memory both contain beautifully sung harmonies, another of the many vocal techniques you'll hear throughout this album.

The bass is still as impressive as it was on the EP. Henry plays it much like a 'real' guitar (for the elitists), often with complicated bass lines. A few bass solos pop up here and there also (Like a bass should be played), which are quite impressive, particularly when the bass is usually forgotten by the listeners, and poorly played by the musician. Ironwood proudly bring the bass back towards the listeners attention with this. The guitars are also very well played, with many switches between electric and acoustic, and rightfully so. The musicianship on this record stands out really well, and you can really tell that these guys enjoy what they do, and have done for a long time.

Jarnvidr Gallows, a 12 minute epic, holds one of my favourite Ironwood moments towards the end of the song, with a half sung, whispered vocal line along a guitar part that'll send shivers down your spine. Audio clips are used cleverly all through this album also, with sounds of rain, birds, and other ambient noises popping up all over the place. River of Fire was known as "Yggr" on the EP, and it has returned with great triumph. This was my favourite song off that recording, and sounds heaps better with the new production. The second longest song on this epic album, and possibly the most epic.

The production as a whole is great, everything is flawless and sounds awesome, and the artwork is definitely something else to behold. For an independent release, it can't get much better than this, particularly with an Australian band. Ironwood is definitely worth checking out if you haven't already. :Fire:Water:Ash: is out now and worth every penny!!!

Track Listing:
Önd Ascending
The Oncoming Storm
The Raven Song
Jarvindr Gallows
The Serpent Seeks It's Tail
Tide Of Memory
Love In Death
River Of Fire
Eihwaz Descending

Playing time: 70:35

Available from:
http://www.ironwoodsound.com.au/

www.myspace.com/ironwoodband

Metaholic review of the :Fire:Water:Ash: launch show.

CD Review: Sword Toward Self - Dissolution Mantras

Sword Toward Self hail from the innards of one of Australia's best cities, Sydney. The band features Dan Nahum (Ironwood, Bleakwood) on drums, Phil Brown (Ironwood) on guitars & vocal duties and Henry Lauer (Ironwood, Intorment Black) on bass. The band takes influences from such artists as Meshuggah, Emperor, Pestilence, Axis of Advance and Suffocation to produce an epic EP titled Dissolution Mantras.

The EP comes in at just under 17 minutes, and is pure metal glory! Full of solid riffs, epic solos and precise drumming, this is a great start for Sword Toward Self. The first track, which is named Sword Toward Self, is a great example of the awesomeness this band is capable of. The first half is a covenant of awesome riffs and melodies, and it then take an unexpected, although not necessarily bad, turn and continues into a nice acoustic section with clean singing vocals and a bass solo, which all fit together quite nicely.
The bass is great to hear, since it's doing more than just play root notes. The inclusions of the mini solo in the self titles track was a great showcase of the talent that Henry posesses. Even on the faster, tromo picked parts you can hear the bass play every note along with the guitar.

The other two songs, Regress/Regret and Iridescent Wings of the Ungods, continue with the heaviness at more epic levels with more kickarse riffs and awe inspiring fills. This is definitely an great CD to headbang to, and an excellent start for Sword Toward Self. the musicianship on this EP really grabs you to the point where you can tell that these guys have been playing for a long time, and take their music seriously.

Do yourself a favour and give these guys a listen, buy the CD from them, it's definitely worth it. Check them out at these following sites:
http://www.myspace.com/swordtowardself
http://www.swordtowardself.com.au